02 Nov 2017
78 selected candidates!
The video selection took place from October 26th to 29th, 2017 in Lausanne with a panel of 9 jury members, …
11 Oct 2017
Results of the Networking Forum 2017
We are delighted to announce that 42 dancers – among the candidates of the Prix de Lausanne 2017 – confirmed …
11 Oct 2017
Results of the preselection in Uruguay
The South American preselection for Prix de Lausanne 2018 took place last week (October 4th and 5th, 2017) at the …
11 Oct 2017
My overall experience at the Prix, By Anaya Bobst
In this last scheduled newsletter; I wanted to discuss my overall experience at the Prix de Lausanne. Prior to arriving, …
02 Oct 2017
Four candidates preselected at YAGP last April
We are proud to announce the names of the four young talented dancers from the Youth America Grand Prix who …
01 Sep 2017
The registration for competition 2018 is now open!
Get ready for Prix de Lausanne 2018 Registration for Prix de Lausanne 2018 is now open! First of all, please …
25 Aug 2017
Today’s female choreographic opportunities, By Anaya Bobst
Due to my growing interest in choreographing, rehearsal directing, and program developing, I am currently researching about female choreographic opportunities …
21 Aug 2017
Two candidates already selected for Prix 2018
Congratulations to the two Chinese talented dancers – from the 4th Beijing International Ballet and Choreography Competition (IBCC) – who …
08 Aug 2017
The Prix’s focus on dance education, By Anaya Bobst
“The repertoire in every company is so varied now and you have to be able to switch from one to …
07 Aug 2017
The Prix visits China!
The CEO and Artistic Director of Prix de Lausanne – Shelly Power – is in China these days for the …
19 Jun 2017
Interview of Grace Robson in NYC, by Alice Moraz
A few weeks ago, I got the opportunity to observe classes at the American Ballet JKO School in New York …
29 May 2017
How can we promote the art form? Engage people and serve audience’s interests, By Anaya Bobst
What can artists do to promote missing elements in the art form today? Trying to understand this ongoing discussion in …